Funny how my focus was on decoding notes – that was what I thought would be the big hurdle. – especially since I was familiar with the EGBDF/FACE note-placing rather than the doh, ray, me. fah, soh, lah, te, doh. In terms of solfege, or sol-fah, in exercises you have to recognize notes, their value, length, pauses, etc.
Thankfully
at the beginning you practice reading music with notes as they are in the scale
order. When that begins to change and you are working with notes that are not
in sequence- either ascending or descending, that is when the seas get rough.
So,
I can recognize the notes most of the time and I can make a reasonable stab at
singing – though a lifetime of incorrectly projecting my voice in the classroom
and recent covid cough have wreaked havoc with my vocal chords.
Now,
unexpectedly, my bete noire is actually playing the piano. It’s not about
reading the notes, that is coming along – at its own pace, but it’s happening.
But there is a right way to make key contact and failure to do it correctly can
apparently cause damage – especially carpal tunnel syndrome –by putting
excessive strain on the median nerve in the wrist.
In
order to play each note correctly, you use the weight of your finger, activated
from the arm, not the wrist. Your hands
should be as in a clasp and contact is made with the tips of the fingers and
the outer edge of the thumb. Essentially your fingers are cupped and in their doh->soh
positions and must be raised individually before making contact with each key.
That in itself needs a lot of practice.
I
regularly use the local bus service, and on board I frequently do little hand
exercises, raising my fingers individually in turn while cupping my knees. The
hard bit is to maintain the finger-cupped position. Try doing this with your
non-preferred hand – not easy! I find
it frustrating that movements I thought I’d mastered get messed up when you
practise them on the keyboard.
Still
trying to achieve that skill, and the teacher gives me a homework assignment to
play full scales. A scale is a sequence of eight notes, but we only have five fingers. :o To compensate there has to be a quick cross-over of the thumb or
the middle finger to account for all the notes on the scale. So far, that has
proved fairly manageable but I fear the moment when we start playing in
different keys and the notes magically change position on the pentagram or
staff. ☹
I really enjoy my lessons and I love my teacher: she
is fun, patient and sensitive – a powerful combo in the classroom.
At one point she was even placing my errant finger in
the correct position on the correct key – she literally is holding my hand
through this challenging ever-changing
process, bless her!
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